Stravinsky the global dancer
Stravinsky the global dancer: A chronology of choreography to the music of Igor Stravinsky is a free online database that aims to list all dances choreographed to Stravinsky’s works, with references...
View ArticleStravinsky and Les Apaches
Stravinsky’s collaborations with the Ballets Russes were only a part of his life between 1910 and 1914; he was also involved with the Parisian avant-garde group known as Les Apaches (The Apaches), an...
View ArticleStravinsky and recording
Even before he signed a contract with the Columbia Gramophone Company in 1928, Stravinsky was firmly convinced of the importance of documenting his performance wishes through recording; in the early...
View ArticleStravinsky and film
Although Stravinsky’s transplantation to the glamour-conscious culture of Los Angeles may have seemed completely out of character, he genuinely thrived there. Still, his inability to relinquish...
View ArticleStravinsky’s persona
Stravinsky has been widely characterized as enigmatic, a composer whose stylistic transformations were impossible to anticipate. He cultivated this image, not in a disingenuous way, but because his...
View ArticleThe riot at the Rite
Historians have based their explanations for the tumultuous 1913 première of Stravinsky’s Le sacre du printemps on the accounts (none published before 1935) of the participants—Stravinsky, Diaghilev,...
View ArticleRobert Craft and Stravinsky
Robert Craft progressed with remarkable speed from being Stravinsky’s assistant to serving as his adviser, collaborator, and defender. While Craft has been castigated for suppressing or misstating...
View ArticleStravinsky and Baba the Turk
Like many operas, Stravinsky’s The rake’s progress is deeply flawed, confused, and contradictory. It presents an overextended musical pastiche, an overly clever libretto by W.H. Auden, and a grim view...
View ArticleStravinsky and cubism
Stravinsky’s Svadebka/Les noces—an assault of nonsense syllables, snatches of conversation, and ritual fragments—is a cubist reconstruction of a Russian peasant wedding. Despite its invocation of...
View ArticleStravinsky and Pergolesi
In his statements on the origin of Pulcinella, Igor Stravinsky leads the reader astray; none of the models used by him are, as he alleges, fragments, incomplete, or sketches, and none were unknown....
View ArticleStravinsky mashups
As Stravinsky circulates in the digital age, his work is valorized in the context of digital transformation—a phenomenon reflected in YouTube mashups. The composer’s iconic Le sacre du printemps...
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